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\title{Thesis Outline}
 
\author{Kyle McDonald}

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\maketitle

\begin{enumerate}
	\item Introduction
	
	\item The Spirit of Noise
	\begin{enumerate}
		\item Epistemology: Correspondence vs. Coherence
			\cite{Blackburn07}\cite{seti_about_????}\cite{david_correspondence_????}\cite{david_horvitz_flickr:_????}
			\cite{david_horvitz_flickr:_????-1}\cite{young_coherence_????}
		\item Philosophy: Interdependent Arising
			\cite{Hofstadter07}\cite{Koller01}\cite{erik_thiele_tempest_????}\cite{francesco_vianello_reality_????}
			\cite{w._wayt_gibbs_hackers_2009}
		\item Psychology and Nature: Gestalt, Illusion, and Patterns
			\cite{Moore07}\cite{Doczi81}\cite{Hofstadter01}\cite{robin_mckie_secret_2004}
			\cite{alan_dunning_paul_woodrow_and_morley_hollenberg_einsteins_2008}\cite{alexander_bogomolny_kanizsa_????}
			\cite{brian_dunning_facemars_2008}\cite{dan_paluska_holy_2005}\cite{de_lapparent_slice_1986}
			\cite{jochem_van_der_spek_no_2001}\cite{jonathan_feinberg_haiku_????}\cite{michael_bach_dalmatian_2002}
			\cite{michael_m._ross_natural_2007}\cite{padovan_proportion_1999}\cite{rips_equidistant_1994}
			\cite{weisstein_prime_????}\cite{boston.com_religious_????}
		\item Music: Acontextual Sound
			\cite{Bruen04}\cite{Vannort06}\cite{Attali85}\cite{Cage61}\cite{Sangild04}\cite{Cascone00}
			\cite{Hegarty02}\cite{Kahn01}\cite{Russolo04}
	\end{enumerate}
	
	\item Everything Art
	\begin{enumerate}
		\item The Historical ``End of Art''
			\cite{Wright09}\cite{moma_kazimir_2006}\cite{moma_rodchenko_1998}
		\item Permutation and Enumeration
			\cite{boolos_computability_2002}\cite{borges_aleph_2004}\cite{borges_library_2000}
			\cite{christian_scheib_statics_????}\cite{jim_campbell_end_1996}\cite{john_f._simon_jr._every_????}
			\cite{john_f._simon_jr._given:32_1997}\cite{kyle_mcdonald_nandhopper_2008}\cite{kyle_mcdonald_pppd_2009}
			\cite{leander_seige_imagen_????}\cite{leonardo_solaas_magic_????}\cite{matthew_mirapaul_in_1997}
			\cite{michael_aschauer_8-bit_????}\cite{nattiez_music_1990}\cite{remko_scha_every_2001}\cite{sintron_gods_2003}
			\cite{tomczak_all_2009}\cite{tomczak_hardware-based_2009}\cite{alexander_christiaan_jacob_allrgb_2008}
			\cite{allan_mccollum_shapes_2006}\cite{jem_finer_longplayer_????}\cite{john_cage_as_????}\cite{paul_slocum_pi_2007}
			\cite{brian_whitman_eigenradio_2005}\cite{keith_f._lynch_converting_????}
		\item Empty Art
			\cite{larry_j_solomon_sounds_1998}
	\end{enumerate}
	
	\item Glitch Art
	\begin{enumerate}
		\item Lossless Compression and Databending
			\cite{indianropeburn_databenders_????}\cite{liminalmike_flickr:glitch_????}\cite{cory_arcangel_photoshop_2009}
			\cite{media_art_net_media_2010}
		\item Lossy Compression and Datamoshing
			\cite{!mediengruppe_bitnik_and_sven_knig_download_????}\cite{evan_meaney_ceibas:_2008}\cite{imbecil_mpeg_2004}
			\cite{john_michael_boling_rhizome_????}\cite{nikolai_trunichkin_and_dr._dmitriy_vatolin_crazy_????}
			\cite{ramachandran_phantoms_1999}
	\end{enumerate}
	
	\item Only Everything Lasts Forever
		\begin{enumerate}
		\item The History and Psychoacoustics of MP3
			\cite{Ruckert05}
		\item Structurally-Informed MP3 Glitching
	\end{enumerate}
	
	\item Conclusion
\end{enumerate}

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